Deutsche Oper Berlin
Pikowaja Dama - Queen of Spades
Opera
Bismarckstraße 35, 10627 Berlin
Pjotr I. Tschaikowskij


























Description
Tchaikovsky's second most popular opera today, after EUGEN ONEGIN, inspires above all by its sheer size: in PIQUE DAME the mood skilfully changes from large, representative choral and ensemble opera to psychological chamber play scenes. The glamour of a sophisticated elite meets the misery of the proletariat ...
About the work
THE QUEEN OF SPADES, Tchaikovsky’s second most popular opera after EUGENE ONEGIN, delights audiences due to its sheer scale, among other qualities. The mood switches effortlessly from full chorus and ensemble to delicate chamber scenes. Sophisticated leisured society rubs up against indigent proletariat. Pushkin’s novella was used by Pyotr and Modest Tchaikovsky as the springboard into a psychogram of the two main protagonists Herman and Lisa, who are bound by their star-crossed despair and thwarted desire to express themselves freely. Herman serves the homosexual Tchaikovsky brothers not only as a touchstone in his capacity as social outcast; his profession as military engineer is also a reference to their father, Ilya Petrovich Tchaikovsky.
Herman, an officer fascinated by the secrets of the gambling community, is in love with Lisa, a lady of gentle birth. Lisa yearns for self-determination but still lives under the thumb of her grandmother, the Countess, who, besides having stirred up Parisian high society in her youth, is also reputed to be the holder of a secret strategy for winning at cards. When Herman hears the rumour, he is sure that he has found a way out of his misery. His fixation on the mystery of the Three Cards takes its course.
About the production
Director Sam Brown makes his debut at the Deutsche Oper Berlin. His set design - heavily informed by that of his friend and director colleague Sir Graham Vick, who died tragically in 2021 – accentuates the nuances and ambiguities of the work’s dramatic storyline. His approach deliberately poses questions that are meant to remain unanswered. Does Herman love Lisa or is she just the means to an end? Is Lisa a helpless victim or does she just think Herman can help her escape her golden cage? Is there really a secret key to success at cards or is it just a figment of Herman’s imagination?
About the work
THE QUEEN OF SPADES, Tchaikovsky’s second most popular opera after EUGENE ONEGIN, delights audiences due to its sheer scale, among other qualities. The mood switches effortlessly from full chorus and ensemble to delicate chamber scenes. Sophisticated leisured society rubs up against indigent proletariat. Pushkin’s novella was used by Pyotr and Modest Tchaikovsky as the springboard into a psychogram of the two main protagonists Herman and Lisa, who are bound by their star-crossed despair and thwarted desire to express themselves freely. Herman serves the homosexual Tchaikovsky brothers not only as a touchstone in his capacity as social outcast; his profession as military engineer is also a reference to their father, Ilya Petrovich Tchaikovsky.
Herman, an officer fascinated by the secrets of the gambling community, is in love with Lisa, a lady of gentle birth. Lisa yearns for self-determination but still lives under the thumb of her grandmother, the Countess, who, besides having stirred up Parisian high society in her youth, is also reputed to be the holder of a secret strategy for winning at cards. When Herman hears the rumour, he is sure that he has found a way out of his misery. His fixation on the mystery of the Three Cards takes its course.
About the production
Director Sam Brown makes his debut at the Deutsche Oper Berlin. His set design - heavily informed by that of his friend and director colleague Sir Graham Vick, who died tragically in 2021 – accentuates the nuances and ambiguities of the work’s dramatic storyline. His approach deliberately poses questions that are meant to remain unanswered. Does Herman love Lisa or is she just the means to an end? Is Lisa a helpless victim or does she just think Herman can help her escape her golden cage? Is there really a secret key to success at cards or is it just a figment of Herman’s imagination?
Cast
Sebastian Weigle
Conductor
Sam Brown
Director
Stuart Nunn
Set design, costume design
Linus Fellbom
light
Martin Eidenberger
Video
Ron Howell
Choreographer
Jeremy Bines
Chorus master
Christian Lindhorst
Children's Chorus
Konstantin Parnian
Dramaturge
Martin Muehle
Hermann
Sondra Radvanovsky
Lisa
Doris Soffel
Countess
Lucio Gallo
Tomski
Thomas Lehman
Prince Jeletzki
Karis Tucker
Polina
Chance Jonas-O'Toole
Tschekalinski
Padraic Rowan
Surin
Andrew Dickinson
Tschaplitski
Michael Bachtadze
Narumow
Nicole Piccolomini
Governess
Oleksandra Diachenko
Masha
Jörg Schörner
master of ceremonies
Chor der Deutschen Oper Berlin
Chorus
Kinderchor der Deutschen Oper Berlin
Chorus
Orchester der Deutschen Oper Berlin
Orchestra
Opernballett der Deutschen Oper Berlin
Ballet
Dates
Deutsche Oper Berlin
Bismarckstraße 35, 10627 Berlin
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