Deutsche Oper Berlin
Der fliegende Holländer
Opera
Bismarckstraße 35, 10627 Berlin
Richard Wagner
© Thomas Jauk
© Bettina Stöß
© Bettina Stöß
© Thomas Jauk
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
© Bettina Stöß
Description
The eerie world of Romanticism with its revenants and ghost ships inspired Wagner to write his first mature work. Christian Spuck tells the story of the "Cursed of the Seas" and the lonely captain's daughter as a dark fairy tale from the memory of Senta's spurned admirer, the hunter Erik ...
About the work
The Dutchman is a cursed man, an outsider, a driven individual. Richard Wagner came upon the character of the famous drifter via Heinrich Heine, who lent the Romantic material his typically ironic touch. Wagner’s interest was tweaked not by Heine’s packaging of the story, which relegated the Dutchman-based action to the margins, but by the tale of the enigmatic mariner, which led to him writing his first opera about the man’s quest for a woman who could offer him redemption. The Dutchman, restlessly plying the borderlands between life and death, encounters Senta, who appears equally ill-at-ease and rootless and yearns for a masculine character, the Dutchman, a figment of her imagination.
Written in 1841 and performed for the first time in Dresden in 1843, Wagner’s opera, following on the heels of Rienzi, a work in the grand opéra tradition, harks back to the German idea of Romantic opera as exemplified by Weber or Marschner. The flying dutschman also marks the beginning of a new and characteristically Wagnerian style, a new form of musical drama. This is the first of many works by Wagner to place the theme of redemption through love in death at the core of the piece.
About the production
Director and choreographer Christian Spuck, artistic director of the Staatsballett Berlin since 2023, has given us a realm of dream images and fantastical visions, of obsession and projection – a world that has lost touch with reality. Most affected by this is Erik, the huntsman, who seems to be the only figure capable of true love. But he can no longer get through to a Senta who is wrapped up in her dreams. Erik is in the nightmarish situation of watching Senta increasingly cut herself off from him until she eventually commits suicide.
About the work
The Dutchman is a cursed man, an outsider, a driven individual. Richard Wagner came upon the character of the famous drifter via Heinrich Heine, who lent the Romantic material his typically ironic touch. Wagner’s interest was tweaked not by Heine’s packaging of the story, which relegated the Dutchman-based action to the margins, but by the tale of the enigmatic mariner, which led to him writing his first opera about the man’s quest for a woman who could offer him redemption. The Dutchman, restlessly plying the borderlands between life and death, encounters Senta, who appears equally ill-at-ease and rootless and yearns for a masculine character, the Dutchman, a figment of her imagination.
Written in 1841 and performed for the first time in Dresden in 1843, Wagner’s opera, following on the heels of Rienzi, a work in the grand opéra tradition, harks back to the German idea of Romantic opera as exemplified by Weber or Marschner. The flying dutschman also marks the beginning of a new and characteristically Wagnerian style, a new form of musical drama. This is the first of many works by Wagner to place the theme of redemption through love in death at the core of the piece.
About the production
Director and choreographer Christian Spuck, artistic director of the Staatsballett Berlin since 2023, has given us a realm of dream images and fantastical visions, of obsession and projection – a world that has lost touch with reality. Most affected by this is Erik, the huntsman, who seems to be the only figure capable of true love. But he can no longer get through to a Senta who is wrapped up in her dreams. Erik is in the nightmarish situation of watching Senta increasingly cut herself off from him until she eventually commits suicide.
Cast
John Fiore
Conductor
Giulio Cilona
Conductor
Christian Spuck
Stage Director
Rufus Didwiszus
Set design
Emma Ryott
Costume design
Ulrich Niepel
Light design
Jeremy Bines
Chorus Master
Chor der Deutschen Oper Berlin
Chorus
Patrick Guetti
Daland
Gabriela Scherer
Senta
Flurina Stucki
Senta
Attilio Glaser
Erik
Kieran Carrel
Erik
Stephanie Wake-Edwards
Mary
Chance Jonas-O'Toole
Helmsman
Andrei Danilov
Helmsman
Derek Welton
The Dutchman
Anthony Clark Evans
The Dutchman
Orchester der Deutschen Oper Berlin
Orchestra
Dates
Deutsche Oper Berlin
Bismarckstraße 35, 10627 Berlin
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